The House by the Cemetery is meant for horror fans. You know who we are. We’re the ones that go to the midnight showings of classic Carpenter, Craven or even Argento or Fulci flicks. We have the wal-to-wall collections of horror Blu Rays. Halloween is our national holiday. And we go to haunted houses, no matter how crappy of an attraction they are. That’s us and that’s who Everson wrote The House by the Cemetery for. We get it. We understand the industry and HOUSE has everything that we love about it.
A dilapitated house sits vacant by an abandoned cemetery. Outside of thrill seekers, it’s been dormant for many years. But the rumors are passed down from generation to generation. This place was used for a cult killing by a group of witches back in the 1960s. Stories of ghosts hitchhiking nearby, strange happenings and haunted tales permeate the local legends for years. The house is a royal pain in the ass for the county. Law enforcement has to chase off ghost hunters and thrill seekers every year. So when a local entrepreneur comes calling and offers to turn the property into a haunted house attraction, the county jumps at the chance to alleviate this headache and score some bucks in the process. Mike, a down-and-out handyman, is hired to renovate the place so that they can turn it into the tourist attraction that it was envisioned to be. Wouldn’t you know it, Mike learns that every rumor has a grain of truth somewhere and you can’t keep a good witch down.
While HOUSE has a fantastic setting that is just screaming for a horror story to be written about it, the characters are the glue that hold this story together. Mike is a likable guy that you can easily relate to. Katie is that mysterious, flirtatious girl you’ve seen work her charm on numerous lonely guys, over and over. The cast and crew, putting together and running the attraction, all have personalities that we know like the back of our hands. It all feels comfortable and familiar. This is how Everson is able to pull this story all together. Sure, there are some parts where you kind of roll your eyes, maybe a character should ask a few more questions, but they’re not deal breakers. HOUSE is easily the best thing Everson has written. The guy has talent and you can see it in his past catalog. Hell, you don’t get a Bram Stoker Award for being a hack. But, for me, HOUSE is the story where he put it all together. Atmosphere, character development, dialogue, interesting storyline, an homage to the genre that I know and love, and suspension of disbelief. Some writers age like a fine wine. Here’s to hoping for an extended run of this particular vintage very soon. It’s intoxicating.
4 1/2 Secret Rooms out of 5
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