The House by the Cemetery – John Everson

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The House by the Cemetery is meant for horror fans. You know who we are. We’re the ones that go to the midnight showings of classic Carpenter, Craven or even Argento or Fulci flicks. We have the wal-to-wall collections of horror Blu Rays. Halloween is our national holiday. And we go to haunted houses, no matter how crappy of an attraction they are. That’s us and that’s who Everson wrote The House by the Cemetery for. We get it. We understand the industry and HOUSE has everything that we love about it.

A dilapitated house sits vacant by an abandoned cemetery. Outside of thrill seekers, it’s been dormant for many years. But the rumors are passed down from generation to generation. This place was used for a cult killing by a group of witches back in the 1960s. Stories of ghosts hitchhiking nearby, strange happenings and haunted tales permeate the local legends for years. The house is a royal pain in the ass for the county. Law enforcement has to chase off ghost hunters and thrill seekers every year. So when a local entrepreneur comes calling and offers to turn the property into a haunted house attraction, the county jumps at the chance to alleviate this headache and score some bucks in the process. Mike, a down-and-out handyman, is hired to renovate the place so that they can turn it into the tourist attraction that it was envisioned to be. Wouldn’t you know it, Mike learns that every rumor has a grain of truth somewhere and you can’t keep a good witch down.

While HOUSE has a fantastic setting that is just screaming for a horror story to be written about it, the characters are the glue that hold this story together. Mike is a likable guy that you can easily relate to. Katie is that mysterious, flirtatious girl you’ve seen work her charm on numerous lonely guys, over and over. The cast and crew, putting together and running the attraction, all have personalities that we know like the back of our hands. It all feels comfortable and familiar. This is how Everson is able to pull this story all together. Sure, there are some parts where you kind of roll your eyes, maybe a character should ask a few more questions, but they’re not deal breakers. HOUSE is easily the best thing Everson has written. The guy has talent and you can see it in his past catalog. Hell, you don’t get a Bram Stoker Award for being a hack. But, for me, HOUSE is the story where he put it all together. Atmosphere, character development, dialogue, interesting storyline, an homage to the genre that I know and love, and suspension of disbelief. Some writers age like a fine wine. Here’s to hoping for an extended run of this particular vintage very soon. It’s intoxicating.
4 1/2 Secret Rooms out of 5
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The Mark – Lee Mountford

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The combination of old school and modern horror merge nicely in this demonic ghost story from Mountford. Imagine, if you will, you’ve had a rough week and you’re still trying to get the remnants of an abusive relationship out of your system. So blowing off a little steam at the local pub with your friends seems like as good of a way to spend a Friday night as any. You take a taxi home, a little worse for wear, but nothing a good night’s sleep and some Advil in the morning won’t take care of. You pass out and in the middle of the night you’re awakened to hear an intruder creeping up your stairs. You attempt to get away, but he gets the best of you. Thinking you’re about to meet your end, he pulls out a syringe, jams it in your neck and depresses the plunger. Out go the proverbial lights. When you awaken, its morning, you’re lying facedown on the kitchen floor, no one is in the house with you and you have these strange symbols carved on your back bleeding through your shirt.

What the hell, right? That’s exactly what I was thinking while I was reading this. Mountford does a great job with character development in THE MARK. Not only do you feel for Kirsty, you’re walking in her shoes every step of the way. You’re trying to figure out just what in the hell is going on. All the while, Mountford keeps dropping these creepy, skincrawling scenes on you and he does it with such a nice touch. There’s a slow build up of dread, as he builds the characters and atmosphere, and slowly unwinds the story. At times, he dangles you over the edge for a few moments before he plunges you over the edge. And this is where his story telling is a cut above many of his peers. He doesn’t just beat you over the head repeatedly without giving you a chance to think or care. No, he dangles the danger just out of your reach and makes you crane your neck to try an peer around that corner and get just a glimpse of what lies ahead. He makes you want it and that’s why I enjoyed this story so much. This is my first time reading Mountford and I’m impressed. I think you will be too.

4 1/2 Codex Gigas out of 5
You can also follow my reviews at the following links:

https://intothemacabre.com

http://intothemacabre.booklikes.com

https://www.goodreads.com/user/show/5919799-ken-mckinley